Absolute pitch information affects on-line melody recognition in non-AP perceivers

Abstract

Perception of absolute pitch (AP) has often been regarded as a qualitatively distinct ability, yet recent work has demonstrated that perceivers unable to label absolute pitches—the hallmark of true AP perception—still possess some knowledge of absolute pitch level. This is sometimes termed “implicit AP.” What distinguishes the two types of AP? In two experiments using a melody-learning paradigm and eye tracking, we explore the pervasiveness and automaticity of implicit AP. We argue here that implicit AP reflects a phylogenetically older encoding of pitch information shared with other species, while “true” AP primarily reflects perception of pitch chroma, which may be unique to humans.


Back to Saturday Papers